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New York Fashion Week: Day 4#

Today was the day that I have been waiting for most eagerly during New York Fashion Week… today was the showing of  Victoria Beckham’s latest collection. Always one of my favourites. And as ever, she did not disappoint. I swear, if I had to limit my dream wardrobe to just three designers, I know already who they would be: Victoria Beckham, The Row and Chloé. So classic, elegant and timeless, all of them.

So here we go.. the best of the day, as usual.

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Victoria Beckham

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Derek Lam

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DKNY

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Yigal Azrouel

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Tracy Reese

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Giulietta

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Thakoon

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New York Fashion Week: Day 3#

You know the routine by now. I spend an evening drooling over the runway live feed, getting far too excited over the beautiful pastel shades, the pops of royal blue, coral, emerald and mustard, spending a month’s earnings on lottery tickets in the hopes that I can stock up my wardrobe with AW15 beauties. Today was no different. From the Japanese print-esque fabrics of Tibi to the linear details of Ralph Rucci… I fall in love all over again.

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Dion Lee

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Jill Stuart

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Prabal Gurung

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Rebecca Taylor

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Ostwald Helgason

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Mara Hoffman

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Ralph Rucci

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Herve Leger

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Tibi

Tibi’s accessories were certainly interesting… while I adore the collection, focusing in particular on their skirts and dresses, I have to say.. please, I beg you, lose the hats… awful, awful, awful.

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Altuzarra

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Parson’s MFA

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Christian Siriano

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Alexander Wang

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New York Fashion Week: Day 2#

Day two of fashion week, and the fabrics are floating, caffeine is flowing, selfies are flying from NY to LA to UK and every un-abbreviatable city in between (yes, I’m aware that ‘in between’ is largely saltwater, but the Little Mermaid probably follows MB Fashion Week’s Instagram account too. I may be here, in my quaint little London apartment, watching the live feed while gorging myself on coffee and far too many biscuits, rather than enjoying/suffering in the hustle of New York’s seasonal moment in the spotlight, but my opinions on what the runway has to offer this season are just as strong as if I were a sunglasses-donning, front-row fashion celebrity. I mean, that’s the whole point, right? Fashion is there as stimulation, be it artistically, inspirationally, controversially…

A few of today’s favourites so far…

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Peter Som

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Tess Giberson

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Wes Gordon

Tanya Taylor Tanya Taylor2 Tanya Taylor3 Tanya Taylor4 Tanya Taylor5 Tanya Taylor6 Tanya Taylor7

Tanya Taylor

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Zimmermann

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Jason Wu

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A Detacher

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Monique Luhillier

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Nicole Miller

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Suno

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Nonoo

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Rodebjer

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Emmys 2014

Let’s face it, who doesn’t love to watch to see who’s wearing who and who looks great and who looks… not so great, at each red carpet event? There are certain big star events that will always be top of the list, such as the Oscars and the BAFTAS, but when it comes to TV, it’s the Emmys. As ever, I found myself caring more about the beautiful dresses than the wins. Not that I was entirely oblivious – I just don’t watch all that much TV. I was especially chuffed (is that not the most English word ever?) to hear about Benedict Cumberbatch, Martin Freeman, and Jim Parsons’ wins (though as for the latter, how many consecutive years has he won an Emmy for best comedy actor now? Six? It’s a wonder they bother going through the nominations at all anymore!)

But anyway, I’m here to talk about the fashion, you’re here to see the fashion… here are a few (slight under-exaggeration) favourites from last night.

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Allison Williams in Giambattista Valli Couture

My love affair with the colour yellow continues, it seems. For such a dramatic dress, it’s really so simple; the yellow sash is the final touch that brings it all together and ups the drama by about 1000000000x. Very elegant but fun… I can’t help but see it as a modern take on a Grace Kelly design? Does anyone else see that?

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Betsy Brandt in Olivia & Alice

This dress should be too much, but it works so well. The blue/purple shoes are also a great choice – it can be tricky deciding on a shoe to go with such a canvas of colour as this, and I think most would have made the mistake of black or white… or red. I have such a clear image in mind as to how I would wear this dress; I’d wear it with a simple, fitted black jumper, a white bead collar necklace, and black suede kitten heels (yes, I know that I just stated that Brandt teaming black pumps with this dress would have been a mistake but just go with it…). It would look amazing.

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Camila Alves in Zuhair Murad

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Kate Walsh in Stephane Rolland

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Claire Danes in Givenchy

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Heidi Klum in Zac Posen

 Even though I doubt I could really pull off this colour, this is probably the dress from last night that I would love to see in my wardrobe most! In fact, no, forget it being in my wardrobe! This is the dress that I would most love to see on me… but you know, in pretty much any other colour but this one. It just wouldn’t work. On Heidi, however… wow.

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January Jones in Prabal Gurung

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Keke Palmer in Rubin Singer

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Teyonah Parris

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Lizzy Caplan in Donna Karan Atelier

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Lucy Liu in Zac Posen

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Michelle Dockery in Rosie Assoulin

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Natalie Dormer in J. Mendel

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Sarah Hyland in Christian Siriano

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Zooey Deschanel, channeling Marilyn-meets Audrey in Oscar de la Renta. I know it’s not the first time, but I still can’t get over just how different she looks without her fringe/bangs. She looks beautiful, but… ordinary, and then suddenly, the bangs are back and it’s such a ‘wow’ look in comparison. I’ve never seen so much power held in one fringe before.

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And the ones that missed a beat for me:

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Kelly Osbourne in Honor

Very few people can pull of this hair colour as well as Kelly Osbourne, and I love that she frequently incorporates similar violet-grey tones in her wardrobe, while the rest of us are still thinking about what works with our hair. Red heads should avoid pink (though I think The Little Mermaid proved that rule to be completely unnecessary), and stick with blues and greens, brunettes look great in any colour, and no one works pinks and reds better than blonds, etc etc. However, here, there’s too much lace. When your hairstyle is so out there, you should tone down the embellishments to an absolute minimum. Perhaps this would work on the right celebrity… but even then, I think a bodice would look much better, rather than this high necked, 3/4 sleeved top.

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Sarah Paulson in Armani Privé

The 1980s were a well known disaster, and it scares me how revived it has become in recent months on our runways. The spotted, tulle prom dresses were among the worst, and to see that one has managed to reemerge like this… do people never learn?

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Julianna Margulies in Narciso Rodriguez

I’ve seen dresses like this hanging in numerous charity shops; ill fitting, cheap fabrics, causing general confusion among staff and customers as to whether it ought to be displayed in the dress section, or the nightwear section. As for the visible bra straps at the back, it just makes the whole look tacky.

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Lena Dunham in Giambattista Valli

There are no words. I get that Lena Dunham is a big deal, especially in America, I get that everyone adores her for challenging celebrity stereotypes, especially regarding the ideal female figure, and good for her – so she should… there are too many dieting sheep in Hollywood, all conforming to the same rules, all fighting to look just the same as each other. She’s talented, she’s gorgeous, she’s humble and intelligent. However… far too often she just gets it so, so wrong, and this one is a doozy. The hair and eyebrow contrast, The weird grown-out bowl cut, the tattoo, and not to mention, that dress… which, by the way, looks amazing on the runway. Here, however, it’s frumpy, ill-fitting, unflattering, contrasts horrendously with that over-bleached ‘do, and basically gives her the appearance of someone who’s attending a halloween party dressed as an animated Pixar character… the story of a workaholic bird of prey, or something. I’m getting a bit bored of seeing her frumpy red carpet fashion again and again, if I’m honest. I’m just going to focus instead on her talents: acting, screenwriting, directing, producing… please, can someone take over her wardrobe, because Lena Dunham does not have a talent for fashion.

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Mayim Bialik in Oliver Tolentino

Mayim Bialik wrote for her official blog over at Kveller.com that she hoped that this year’s Emmy dress balances between ‘hot and holy’… while it’s not a bad dress, and I admire her for her strict rules on modesty in a world so set on showing as much skin as possible to gain attention, it just doesn’t… quite work. I feel like there’s too much lace (I’m sensing a pattern among the fashion police victims this year), which makes the whole thing too fussy, and tied in with that neckline, it’s all just too much.. way too much. The colour looks amazing on her though. Had she opted for satin, or something sleek, then I think it would have worked. I’d also love to see her with a sheer bateau neckline and sleeves, but would that be sticking with her modesty rule? Or is sheer fabric out?

(*Update, having just found this dress, I can confirm that she looks great with sheer sleeves and a wider neckline. She. Looks. Amazing.)

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Katherine Heigl

 I don’t know who Heigl is wearing here, and I have very little to say, except that it’s just too.. old.. too motherly.. too matronly. Much better things could have been made from this fabric.

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The Row: Pre SS15

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The Row is one of those fashion houses that on paper can’t justify their prices for such basic items of clothing. Nevertheless, one sweeping eye across each increasingly intriguing collection and it takes the strongest of characters to keep a hold of all financial sense, and we’re left hanging precariously close to sacrificing our rent money for a t-shirt. As a childhood fan of the Olsen Twins, I have been eagerly watching their lines since they first announced the launch of The Row. They have not let me down, and long gone are the days of their tween fashion line for Walmart – and on this side of the pond, Asda. I’m sad to say that to date, my only Olsen fashion purchase is a long-gone pair of baggy jeans, complete with pink patches and two removable chains; one in pink, one in blue. Yes, we’ve all come a long way since those days, and I think the fact that I wore those shows just how long I’ve considered the twins to be fashion idols.

Of the celebrity-cum-designers of 2014, leave colour down to Victoria Beckham; the Olsens like their neutrals. The SS15 collection embodies Japanese influences, with kimono-esque coats, wraps and shawls, to the stiff, upturned collars of another era. The peasanty (yes, that is now a word), beige tones and coarse fabrics throw in a touch of that Olsen-made Granny-chic style that we have come to liken to the twins as much as we do their tween movies and their near-decade-long role on Full House (not that I’ve ever seen that aired on UK TV…), while the immaculate tailoring brings the collection together in a neatly tied, on-trend bow.

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The 3 L's

HIMYM finale…. not a happy bunny.

I’m not a big fan of TV shows. There are very few that I make the time to watch – I’ve always preferred movies and books to TV, but HIMYM is one of the few exceptions, and I admit, these past few weeks I got sucked into the finale frenzy, and I sat up until 2am waiting for a decent quality copy of the big finale to appear online, despite my early start this morning.

It’s pretty clear from a quick glance at Twitter that the HIMYM, like all sitcom and drama finales, has divided opinions. You can’t just have ‘liked’ the HIMYM finale – it’s a marmite situation. I myself came away bitterly disappointed, but not at all surprised. I was, I guess, ‘team Swarkles’ (actually, I was team ‘why does Robin have to end up with someone?’), and Ted pissed me off from day one. Ted pissed me off so much, that while I first saw HIMYM back in about 2007-2008, it wasn’t until last year that I finally got into it and caught up in time for the final season. I hate his whiny, self-absorbed, snooty personality clogging up an otherwise great show. I also can’t stand Lily. She’s a bitch.

Then again, I can’t deny that it’s a great show. Blatantly inspired by Friends, it has all the same base characters; the couple (Monica/Chandler, Lily/Marshall), the will-they-won’t-they couple (Ross/Rachel, Ted/Robin), the slightly adorable comedy gem (Joey – and Chandler too! And in HIMYM, Barney). And I always found Phoebe ridiculous and unnecessary – and a complete bitch. So I’m glad that she, as a character, has not been re-imagined.

Don’t read any further if you haven’t yet seen the finale. Spoilers!

Last night’s finale answered a lot of necessary questions including the big ones: the mother’s name, how they meet and of course, who gets a ‘happily ever after’ ending.

Barney and Robin get a divorce within the first half of the finale. As much as I prefer her with Barney than Ted, I saw this coming as soon as it was revealed that Robin becomes a successful news anchor who travels around the world, I just though… Barney doesn’t seem like someone who would want to travel the world. And yes – her travelling drives them apart after just three years.

Reverting back to his womanizing ways, it’s revealed that the only girl he ever truly falls for is his accidentally conceived baby daughter, Ellie. I didn’t anticipate this, but when it happened, it made sense and suddenly seemed obvious that this is what they had been building to all along.

Nothing surprising happens with Marshall and Lily. They have baby number three, Marshall becomes a judge and later, a judge of the Supreme court (lovingly dubbed ‘Judge Fudge’ and later ‘Fudge Supreme’ by the gang). With three kids in tow, they of course have to move out of the apartment – minus the big Friend-esque ‘goodbye house’ scene.

As for Ted, we learn that his wife’s name is Tracy McConnell. They take a surprisingly long time to get married, their fairy tale wedding being indefinitely postponed on finding that she’s pregnant with Penny. They do eventually get married, though. And then… Tracy gets sick. Very sick. Those fan theories were right – the mother is dead.

It had been hinted at, of course, and thinking about it now, it was pretty obvious throughout. That doesn’t mean that it didn’t piss me off, all the same. Purely because of the inevitable Robin and Ted ending that followed – the kids give their blessing for him to ask out ‘Aunt Robin’, and he arrives outside her bedroom window with the blue french horn, just as he did back in season 1.

I’m not a fan of corny, and that is undeniably corny. But more so, why does Robin have to be with someone? Earlier in the series, Ted said that Robin was ‘never alone’, and yet, during the ten years or so between divorcing Barney and finally ending up with Ted, it’s made clear that she’s pretty lonely, despite her successful career and slightly nomadic lifestyle. She distances herself from the group because, as she points out to Lily, the gang consists of a married couple who are about to have their third child, her ex husband who is back to his womanising ways and ‘the guy I probably should have ended up with, with the beautiful mother of his child’. That’s life – people drift apart, life choices drive us away from each other. Why couldn’t Robin have lived happily, independent and successful, travelling the world but still making an effort to be there for ‘the big moments’, as she was in the first half of the finale. Why does she have to be lonely? Lily seems to spend the duration of the show selfishly complaining that she’s never around anymore, as she does.

It seems like they decided to give Ted his perfect happy ending. He always wanted Robin, but it was just impossible – he wanted kids, she didn’t. He wanted to raise his kids in the suburbs, she wanted to live in Japan or Argentina or wherever else took her fancy. So, easy solution, give Ted a wife to have kids with in the suburbs and spend a decade or so together, polishing pennies and admiring NYC’s architecture. Then kill off the wife. Bam. Ted finally gets the girl.

Surely Ted and Robin are impossible at working as Robin and Barney? Even more so, considering that Swarkles divorced because of her travelling for work, which would surely be an issue considering he has two kids in school to think about, as well as his own career and his general dislike for travelling far. Or would that problem be neatly resolved too with an early retirement for Robin at the tender age of fifty?

No, had I been the writer of HIMYM, I’d have done things very differently. The mother – Tracy – would not die. She and Ted would live happily together, as they were perfect for each other. They would live in the suburbs with their kids, and no doubt Marshall and Lily would live nearby with their own trio of kids. Barney would have his daughter to dote on, and Robin would simply be alone but happy, dropping by whenever she was in the neighborhood. There’s Skype, right! Or the 2030 equivalent… I’d cut out all of the ‘lonely Robin needs Ted to be happy’ crap.

And there was me thinking that the inclusion of a strong, independent, feminist character like Robin in the show was a big leap forward compared to the ‘everyone gets married and has children’ endings of so many past shows – including my favourite, Friends.

Ah well… I wonder how Big Bang Theory will end, when its own finale finally comes. I really hope it’s not a Shamy wedding…

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Co’s Fashion Week Lookbook

I’m a little fixated right now on Co’s amazing photo shoot for their new collection. I’ve always loved painterly photography; dim, almost crepuscular lighting, dark tones and deep colours contrasting against a model’s pale skin. Photography aside, I love the silhouettes of this collection.

 Co’s SS14 collection is available here (EU) and here (US).

Also, I’ve just discovered their Film page on their website. They’re a talented bunch, the Co-collection team.

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