Preview from a recent shoot. How amazing is this makeup? Time and time again, I am blown away by Emma’s amazing skills. She even admitted to me pre-shoot that she was a little worried, for she had not learnt how to air-brush with makeup yet on her college course, and felt that this would be the most successful technique needed for our shoot… well, it just goes to show that whatever you throw at this girl, she can blow you away with her abilities. I know that she is already in high demand, but I’ll say it anyway: I strongly recommend that every photographer, designer and stylist in Derby, send her an email, give her a call, organise a shoot together. She won’t let you down.

She’s also the cheeriest person I know, which is a definite bonus!

Model: Fiona

MUA: Emma Grant

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Galaxy Beauty

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Alfred Hitchcock. Undoubtedly one of my favourite directors, quavering on the top-spot with the equally amazing visual genius, Joe Wright. I feel its safe to say that Hitchcock bags the top spot for himself through reputation alone. If ever a Hitchcock appears on the TV schedule, you will find me, sat inches from the screen in a child-like awe, sucked into the colours, the shadows, the beautifully dense suspense that only he could master so well. My mind, you can guarantee, will be racing, nails digging into the carpet as I pick apart his use of each colour; the symbolism of the green light in Vertigo, the alternating red and green in Rope, the fireworks illuminating the darkened room in To Catch a Thief. I am aware of the general ‘Hitchcock colour theories’, but I can’t help but conjure up my own, as if its a code that only I can crack. I pick apart his lighting set ups, absorb every item that builds the carefully crafted sets, drool over the beautiful designs of Edith Head, envious of Grace Kelly or the various other Hitchcock blondes. Let’s face it, it’s generally Grace who ruffles my envious feathers more than anyone.

Frankly, if there’s a Hitchcock on TV, leave me be. (Rhyme not intended).

I am as enraptured as Hitchcock always intended for his audience to be, and before I know it, the notebook is in my lap, a pen in hand. Every creative needs a moleskine whenever they watch a Hitchcock, in my opinion. Regardless as to whether you’re a photographer, writer, graphic designer, stylist, artist… that man is gold, a portly ball of imagination-inducing energy. Caffeine is my usual go-to stimulant when I’m in my daily ‘idea development’ session, but Hitchcock is much more effective. Even if my ideas do need to at times wander a little further from the standard ‘blonde model’, ‘dramatic lighting’, ‘bold colours’ trio. Duly noted.

I’m not the only photographer who finds themselves constantly inspired by the great director, of course. I can spot a Hitchcock-esque editorial a mile away. They’re becoming something of a must-have for most young fashion photographers, a transition point between the mimicking and the inspired. However, just because Hitchcock’s lighting styles, dramatic shadows, bold colours and trademark locations (think motels, showers and trains), are so on-trend, doesn’t mean that I can’t have a go too, right?

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Model: Jessica Bailey

MUA & Hair: Emma Grant

Styling: Emma Styles

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Hitchcock Blonde

My mind, you can guarantee, will be racing, nails digging into the carpet as I pick apart his use of each colour; the symbolism of the green light in Vertigo, the alternating red and green in Rope, the fireworks illuminating the darkened room in To Catch a Thief. I am aware of the general 'Hitchcock colour theories', but I can't help but conjure up my own, as if its a code that only I can crack. I pick apart his lighting set ups, absorb every item that builds the carefully crafted sets, drool over the beautiful designs of Edith Head, envious of Grace Kelly or the various other Hitchcock blondes.

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